![]() ![]() Treasury of the Cathedral of Aachen, Germany. Erich Lessing/Art Resource, NY.Ĭarved Ivory Panel, Land of the Meuse (c. Jan van Eyck, The Arnolfini Wedding (1434). ![]() ADAGP/Art Resource, NY.ĭick Johnson, The “Hey, Wayne” (1991). Los Angeles County Museum of Art, Los Angeles. René Magritte, Ceci n’est pas une pipe / La Trahison des Images (1929). Herscovici, Brussels/Artists Rights Society (ARS), NY. Hypothetical reconstruction of a drawing made by William Hogarth. Grenadier entering a tavern with a rifle over his shoulder and a dog beside him. ![]() American Postcard Company, Inc.ĭuck-Rabbit, detail from page in Fliegende Blätter (1892). Unofficial White House Photograph (1988). 1.1Īlexander Gardner, Home of a Rebel Sharpshooter, Gettysburg, July 1863. Used by permission of Verlag der Buchhandlung Walther Koenig.įigures Int.1 Mural fragment. Gerhard Richter, War Cut (2004), page 230. Used by permission of Verlag der Buchhandlung Walther Koenig. Gerhard Richter, War Cut (2004), page 91. 648-2 (1987) Musée d’Art Moderne de la Ville de Paris © Gerhard Richter. Gerhard Richter, Abstract Picture (Rhombus) #5 (1998). Jackson Pollock, Full Fathom Fire, Detail of upper right. Digital Image © The Museum of Modern Art. Jackson Pollock, Full Fathom Five (1947). John Constable, Landscape Sketch: Hadleigh Castle (?1828–1829). Dove Cottage Wordsworth Museum, Grasmere, England. Sir George Beaumont, Peel Castle in a Storm (1806). Clore Collection, Tate Gallery, London/Art Resource, NY. William Blake, Frontispiece to Visions of the Daughters of Albion (1793). William Blake, “Infant Sorrow,” Songs of Experience (1794). William Blake, “Infant Joy,” Songs of Innocence (1789). Reza, Pollock, Richter Language and Abstract Art Peter Milton’s Turn An American Printmaker Marks the End of a Millennium Hockney Remakes Hogarth A Gay Rake Progresses to America Love, Death, and Grotesquerie Beardsley’s Illustrations of Wilde and Pope Looking at the Monster Frankenstein and Film Self-Representation in Byron’s Poetry and Turner’s Art Wordsworth, Constable, and the Poetics of Chiaroscuro Painting against Poetry Reynolds’s Discourses and the Discourse of Turner’s Art Marginal Language 101 Word and Image in Blake’s Visions of the Daughters of Albion Text and Design Blake’s Songs of Innocence and of Experience Speaking for Pictures The Rhetoric of Art CriticismĪlberti on Apelles Word and Image in De Pictura Literacy and Picturacy How Do We Learn to Read Pictures? Printed in the United States of America on acid-free paper with a minimum of 30% pcw content. Includes bibliographical references and index. Cultivating picturacy : visual art and verbal interventions / James A. Library of Congress Cataloging-in-Publication Data Book Design by Diane Smith Cover Design by Joan Osth Cover Photo by Dick Johnson, The “Hey, Wayne” (1991). No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing of Baylor University Press. Cultivating Picturacy Visual Art and Verbal InterventionsĬopyright ©2006 by Baylor University Press Waco, Texas 76798 All Rights Reserved. ![]()
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